Content:

Body and Cinematography, by José A. Sánchez & Isabel de Naverán. (sp/en)

The body between [REC] and [PLAY]-On the Aesthetics of Film and Video in Meg Stuart's Replacement, by Holger Hartung. (sp/en)

The framing through a living body, by Nele Suisalu. (sp/en)

Disappearing, by Jaime Conde-Salazar. (sp/en)

The Gaze Fixedly in Motion, by José A. Sánchez. (sp/en)

The choreographer with a camera, by Julie Perrin. (sp/en)

Doubling oneself, by Isabel de Naverán. (sp/en)

Suspended Bodies. A contemporary image-body, by Rafael Sánchez-Mateos. (sp/en)

Choreographic strategies in recycled cinema. An analysis of Pièces touchée by Martin Arnold, by Victoria Pérez. (sp/en)

Acordes filmados, de Florent Delval. (spanish only)

Videofronteras, by Isis Saz. (sp/en)

Tautology-Choreography-Geometry-Trope-Metaphor-Death, by Fernando Quesada. (sp/en)

Escapism Course, by Alejandra Pombo. (sp/en)

Cat Woman, de Superamas. (spanish only)

Yvonne Rainer: de la danza al cine, de Peggy Phelan. (spanish only)

Forsythe y el cine: hábitos de la visíon, de roslyn Sulcas. (spanish only)

Pier Paolo Pasolini. Cultivator of cracks, by Ixiar Rozas. (sp/en)

La danza en el cine de Maya Deren, danza entre lo visible y lo invisible, de Carolina Martínez. (spanish only)

Bruce Lee y la génesis del cine de acción: la violencia coreográfica, de Juan Bernardo Pineda. (spanish only)